EDITS ' PIGEON COMPOSITS & KNIFE ...

 
Then of course, there was the trinklet which was supposed to be tied to the pigeon’s foot. It was shot separately as an element that can be attached while compositing to the pigeon’s foot and also created digitally in 3D depending on what was more suitable for the shot so as to seamlessly show off the marksmanship of Eklavya.

The fall of the trinklet was a bit of a concern. The initial brief from Vinod was to almost make it a dreamlike sequence in terms of timing but still realistic. Also he wanted to juice the part of Eklavya in the water, confused a bit with the sound of the water mingling with the falling trinklet before managing at the last moment to catching his prey, the trinklet (and not the pigeon as one tended to believe initially).

 

EKLAVYA VFX
Page01-NTRODUCTION

Page04c-EDITS ' PIGEON COMPOSITS & KNIFE

Page07-CLIMAX PAINTING NANDINI PAINTINGS
Page02-ECLIPSES AND BEAUTIFUL TRANSITIONS...  Page04d-GHUNGROO - KABHI REAL KABH CG Page08-CLIMAXKNIFE THROW...
Page03-STEPWELL SEQUENCE ... Page04e-FRAME GRABS FROM THE FINAL SEQUENCE Page09-TIMING THE SCENE.. REAL HYPERREAL
Page04a-CONCEPTION & STORYBOARDS Page05-PHOTOSENSITIVITY Page10-CONCLUSION
Page04b-AT THE SHOOT- TAKING THE PLATES Page06-UDAY KILLING  
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